Tuesday, November 18, 2025

Writing Workshops

 

   

I've talked a lot about the benefit of local writers groups--I learn so much more from being in the room than "just" whatever that day's program is about. But not all writers groups are local; there's value in distance groups too.

My MFA was low-res, which meant all the students and faculty got together for ten very intense days twice a year. But during the semesters, I submitted a packet of work (newly written or revised fiction + annotations on whatever I was reading) to my mentor every month. Then we'd meet via Zoom to go over their feedback on my work.

I'm also in several Discord writers groups--those can be great.

But my favorite non-local writing group is a group of 8-12 grads from my MFA program--some from my cohort and others from before or after I graduated. We spend a week together every summer doing intense workshopping. There are lots of ways to structure a group like this. 

For my currently nameless group, we all submit 50 pages of fiction (stories, novellas, portions of novels, screenplays) to the group in April. Optionally, you can also submit an entire novel. We all read each participant's 50 pages. If you submit an entire novel, you also read two other participants' novels. Then we rent a house and meet for a week in June--last year, we were in Portland, Oregon--and intensely workshop the writing we've submitted. Every morning, we workshop two people's 50-page submissions. In the afternoons, we break off into smaller novel workshops or present seminars for each other. Submitting to various short-story markets. World building. Character development. Querying. Building horror. Increasing tension. Whatever someone's become fascinated with over the past year. I cannot recommend a group like this enough, if you find writers whose work you respect and whose company you enjoy--and they feel the same about you. Especially if they're also good cooks!

 

 




Tuesday, November 11, 2025

May be a graphic of text that says 'Fiction Writing WORKSHOP R WO' 

I cannot say enough about the importance of local writers groups. I belong to both Sisters in Crime and the St. Louis Writers Guild, and both are invaluable. But I've learned more about the business of writing from Missouri Romance Writers of America than I have learned anywhere else--everywhere else combined. 

I don't write genre romance, though I love to read it, and I admire the craft. I try to work strong romance subplots into all my novels. But the romance writers let me hang out with them anyway. And my local group has a ton of incredible authors who are also very savvy business people.

A few weeks ago, MORWA and the St. Louis Public Library co-hosted a free mini-conference (Fiction Writing Workshop) at the gorgeous SLPL Central Branch downtown. The weather was dark and stormy, very autumnal, while the atmospheric interior of the library was warmly haunted by romance and crime writers. Sisters in Crime hosted a cozy mystery panel. I also attended seminars by Jeannie Lin ("Write Page-Turning Fiction with Action and Love Scenes") and Shawntelle Madison ("Unlocking Emotion to Strengthen Story" and "Romancing the Beat with LaVyrle Spencer"). And that's just a fraction of the sessions that were available.

Seriously, if you write, want to write, or struggle with writing, look into local writing groups!

Tuesday, October 28, 2025

Happy 60th, Gateway Arch!

Today is the 60th anniversary of the completion of St. Louis's Gateway Arch! If you're nearby, you can come visit--the government is closed, but the National Park is back open. (I hope all the rangers and employees get paid.) But if you're not local, or if you'd rather not venture out on this cool, misty autumn day ...  

Check out this fun crime anthology set in St. Louis! All the stories at least mention the Arch. I'm in this one, as are several Sisters in Crime and a couple of my weekly critique partners.

Yeet Me in St. Louis from White City Press



Friday, July 11, 2025

2025 Update

 I decided to address my reader's (and writer's) block during the pandemic by going back to school! While my kids were still learning from home, I joined them and started Stonecoast's low-residency MFA program. I loved that experience so much and managed to keep up with my regular writing pace in addition to the reading and writing I did for the program. I graduated in 2023, added adjunct writing instructor to my resumé, and am still writing.

Since the novel that got me my first agent, I've completed two other novels and am in the middle of a third. Obviously, I'm very excited by the project I'm working on at the moment: Ali Hazelwood meets a modern-day Lessons in Chemistry with a murder-mystery twist. I'm having a blast with this one and have enjoyed learning a lot of physics!

Meanwhile, I'm back in the query trenches looking for a new agent for the aforementioned two complete manuscripts. I'm still meeting with my weekly critique group and have added week-long annual destination workshop events with some of my former Stonecoast classmates. Every spring, we send each other what we've been working on over the past year. Then in June, we rent a house for a week and meet up for some intense workshopping of each others' novels/novellas/scripts/projects. We also put together PowerPoint presentations to share with the group: submissions to various short-story markets, how to query your completed novel, building dread, worldbuilding, etc. And of course I'm still active in local writers' groups. I can't overstate the significance of building a community of writers for yourself (as a writer).

And now it's time to close the browser window and hop back into the short story I'm writing for an anthology. 

(I'm 53 books into my 2025 reading year. Reddit is still a problem, but I'm doing okay.)