Gentleman's Agreement by Laura Zametkin Hobson

Have you read Gentleman's Agreement by Laura Zametkin Hobson No? Well, you should read it! Everyone should read it! Once upon a time, lots of people did - it spent five months at #1 on the New York Times Bestseller List after it published in 1947 - but it has since fallen out of favor. I'd never heard of it until a friend picked it for our book club's February selection, spurring probably the best discussion we've ever had.

The novel's current lack of visibility might be due in part to its Amazon blurb: The plot of GENTLEMAN'S AGREEMENT concerns the experiences of a young Gentile writer who poses as a Jew in order to secure material on anti-Semitism for a series of magazine articles. A thesis novel concerning the social and economic aspects of anti-Semitism in American life.

No, really, it's good! I wrote all over my copy of the book, and then typed up my notes. And, yet, it was fun.

It's a quick read, easy, but not shallow (except a little right at the end). And it's non-threatening, too, for a book with such a point. The main character is an ally (not prone to some of the major prejudices of his day) which casts the reader into the same role and allows us to hear hard truths and appreciate them while thinking ourselves exempt or hidden.

This is one of those books that has stuck with me and I find myself using some of its figures of speech in my everyday life weeks after completing the read. Flick, tap.

The novel is about a California-based widower and writer who gets a job with a major weekly magazine in New York City and relocates his family. The first people he meets are his new editor - who gives him the assignment of writing a series on antisemitism - and the editor's niece - who inspired the idea for the assignment and becomes the love interest/second main character. The writer gets the idea that in order to write convincingly and interestingly about antisemitism, he must experience it first-hand. So he introduces himself to everyone he meets as a Jew and undergoes a rapid transformation.

The novel deals not only with antisemitism but also with other forms of prejudice, including racism and sexism. I especially enjoyed some of the nascent feminism, as the author gently drew us along with contemporary lines like, "I'm having people over tonight. A couple of girls and people." How great is that? The role of women's work in the running of a household provides an interesting background, as do the the characters' remarks about "womanish softness" of thought and "a vague resentment that it's a man's world."

But the parts that really stuck with me were about antisemitism and are equally relevant today, with our own various -isms. Prejudice comes in little "flicks" and "taps." “Rarely was the circumstance so arranged that you could fight back.” "They gave you at once the wound and the burden of proper behavior toward it.” There's a lot of discussion about “the complacence of essentially decent people about prejudice” and the question of whether it's gauche or required to make a scene and speak out against prejudice whenever you encounter it (even if it's at a formal dinner party with an important client).

All this unfolds as part of a love story between the writer and his editor's niece. She inspired the assignment and is passionately antisemitic . . . but perhaps she
has a different understanding of what antisemitism is and means and how best to respond. What brought the couple together eventually drives a wedge between them.

If you read - or have read - this one, please let me know; I'd love to discuss it with you! And if it doesn't sound like something you're willing to read, the novel inspired a movie by the same name, starring Gregory Peck.

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Beowulf on the Beach: What to Love and What to Skip in Literature's 50 Greatest Hits by Jack Murnighan

It took me more than two years to read this book, but don't let that scare you away. I think you should read it, too!

I loved this book. I didn't agree with the author about everything, but I did agree with him about a lot of things and I loved his passion for literature alongside his irreverent take towards it. This month, for Barrie Summy's Book Review Club, I'm discussing Beowulf on the Beach: What to Love and What to Skip in Literature's 50 Greatest Hits by Jack Murnighan.

Murnighan "has a Ph.D. in medieval and renaissance literature from Duke University. He is the author of The Naughty Bits and Classic Nasty and has written for Esquire, Glamour, and Nerve. He lives in New York City and teaches creative nonfiction at the University of the Arts."

I don't hold all that against him, though. He writes like a hip professor who really really wants to pass along not the IMPORTANT SYMBOLISM or CRITICAL HISTORICAL CONTEXT of classic literature but rather a love of reading great books along with an understanding of how to read "tough" books and why the effort is worthwhile.

The publisher's blurb:

Did anyone tell you that Anna Karenina is a beach read, that Dickens is hilarious, that the Iliad’s battle scenes rival Hollywood’s for gore, or that Joyce is at his best when he’s talking about booze, sex, or organ meats?

Writer and professor Jack Murnighan says it’s time to give literature another look, but this time you’ll enjoy yourself. With a little help, you’ll see just how great the great books are: how they can make you laugh, moisten your eyes, turn you on, and leave you awestruck and deeply moved. Beowulf on the Beach is your field guide–erudite, witty, and fun-loving–for helping you read and relish fifty of the biggest (and most skipped) classics of all time. For each book, Murnighan reveals how to get the most out of your reading and provides a crib sheet that includes the Buzz, the Best Line, What’s Sexy, and What to Skip.

I found that if I tried to read the book straight through, the chapters and various classics began to bleed together. So I used it as my palate cleanser, reading a chapter or two between other books as I finished them.

And now I intend to start all over, using Beowulf on the Beach as a to-do list to fill in the gaps in my reading of the classics. I'm especially loving the "what to skip" bits, some of which confirm that a book that's supposed to be "great" but I have no interest in might not actually be so wonderful after all. (Murnighan has a theory that people like sets of three and sometimes an author or books is tossed in with two other, far greater works to make a complete set.)

My favorite part of the book is that Murnighan is so completely un-snobby about literature. He tells you everything you need to know about each book in order not to embarrass yourself at a literary cocktail party. And he also tells you what questions to ask to poke holes in the blowhard who quotes famous lines from books he probably hasn't read.

(Fourth Monday Book Club, this book is why we're reading Gabriel Garcia Marquez's One Hundred Years of Solitude this month. I hear it's "the greatest novel of our era." And who can resist that?)

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Ghost Story by Jim Butcher

Hey! This here's Barrie Summy's monthly book review club.

For next month my book club is reading One Hundred Years of Solitude by Gabriel García Márquez. And that was my choice. But there's another reader inside me, too. And that reader likes to read fun books that are quick and consumable and exciting and pulpy and fun. Also, did I mention, fun?

That reader discovered Harry Dresden a few years ago. What's not to love? In Jim Butcher's contemporary urban fantasy series, Chicago looks much as it does today. Except that, in the Yellow Pages, there's a single listing for a "Professional Wizard." That's Harry Dresden, and he's an old-school private investigator who solves problems with little help from modern technology (electronics don't do so well around magic).

The novels might start like classic noir detective stories but soon the missing artifact or other de rigueur case turns out to have an occult twist. To sum up the awesomeness here, so far we have:
1) Funny series novels set in Chicago
2) Classic mystery set-up
3) Magic.

What's not to love? That's harder to put my finger on. But I found that I don't want to read two Dresden novels back-to-back. Butcher's voice grates on me after that and little . . . flaws? stylistic choices? character idiosyncrasies? . . . in the writing begin to call attention to themselves and draw me out of the story.

So I read the books one-at-a-time, with space between, because I really like to enjoy each one. These stories have it all: wizards, magical politics, faeries, goblins, trolls, zombies, vampires, werewolves, angels, priests, fighting, battles, war, romance, you name it and it's probably somewhere in this world. As an added bonus, the main characters are geeks.

Another benefit to the slow-read approach is that I didn't catch up to the author for a long time.

But when I finished Ghost Story (Book 13, naturally) last week, I was stuck. The next novel isn't due until next summer! And only one per year after that! Alas.

If the above description captures your interest, let me underscore that/reassure you in two ways: Butcher's writing improves as the series progresses, and the novels are better than the short-lived Sci Fi Channel series loosely based on the books.

If you've tried just one or two of the novels but haven't gotten hooked, I'd recommend perseverance. I was shocked - shocked! - at what happened in Changes (Book 12). It sent me scrambling for Side Jobs, an anthology of short stories and a novelette set between various novels in the series, as well as a novella set immediately after Changes. Then I rushed right into Ghost Story, which left me hanging deliciously.

I'm looking forward to book 14 - and it's worth noting that the author does have a planned story arc for the entire series, including an ending - but I think the first 11 novels, fun as they were, were worth reading as prelude alone for all the changes in books 12 and 13.

Recommended light holiday reading.

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Simple Gifts

I used to have this idea about writing a novel called Simple Gifts about a child with special needs. I can't imagine writing that book, now or ever. Because the more I learn, the more it becomes apparent to me that there's nothing at all "simple" about a child with special needs.

Assassination Vacation by Sarah Vowell

Every time I hear or see Sarah Vowell - as a contributor on NPR's This American Life or as a guest on The Daily Show - I want to read one of her books. But picking up a nonfiction book about American history is not my first inclination when I'm looking for a fun read.

This month I took the plunge into Vowell's Assassination Vacation. What better book for the beginning of vacation season? The book follows Vowell's road trips to sites associated with the assassinations of Presidents Lincoln, Garfield, and McKinley.

Despite my reluctance to read history, I fully expected to love this book.

And I did enjoy it quite a bit.

The two reasons I didn't love the book as much as I expected to: in the prologue Vowell (quoting a friend) used the word "retarded" twice as a pejorative having nothing to do with people with intellectual disabilities. Yes, I'm hypersensitive about this issue. But it jarred me out of the (otherwise hilarious) narrative and got us off on the wrong foot.

A deeper "problem" with the book is Vowell's disjointed, stream-of-consciousness style. I love it and my brain often works the same way. But I found the plot (such as it is) hard to follow sometimes. Tangent split off from tangent and I dutifully followed Vowell's breadcrumb trail but in my sleep deprived state - I have a newborn baby! - I had a hard time finding my way back to the main narrative. (Are you picturing the birds of sleeplessness devouring bread crumbs? Because I am.)

Not being intimately familiar with all the characters (the assassins, their families, people near the Presidents at the time of the attacks, etc.) I occasionally had to stop and reorient myself. Wait. Who are we talking about again? And how does this relate?

But I am so so glad I read the book. I learned a ton - painlessly - and I took away something even more valuable. As an ignorant American (alas) I have little sense of historical time. I know that our nation's history is relatively short but thinking, "The Civil War was 150 years ago," didn't really mean much to me. That is, until I saw it this way:

Robert Todd Lincoln - the President's son - was an adult with an established career when his father was murdered. He was still practicing law when my grandparents were born. In fact he didn't die until they were adults. Wow, these are all current events when I think about it that way. And I didn't realize how recently we held public hangings in this country.

To sum up: Sarah Vowell is hilarious and it's worth the time to read or listen to her work whereever you find it. This is a good, interesting, and educational read. Vowell is passionate about American History - she considers it her religion - and she shares her excitement in a way that's quite infectious.

One additional caveat. Vowell wrote this book during the Iraq War and President G.W. Bush's second term. Assassination Vacation is very much a product of its own place in history; Vowell ties in current events and politics with the historical narratives, and she is very much a liberal.

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Not Writing, Still Busy

Writing every day is important to me and it's not something I'm doing at present. The urge is still there. I abandon my bed, driven from potential (and much-needed!) sleep by the need to write. Ideas buzz around in my head, eager to be let out.

Then I sit at my computer and hear: the baby waking, an older child requesting assistance (or attention), the pug needing to go outside, my email inbox pinging and pinging and pinging, or just my carpets crying for merciful attention from the vacuum cleaner.

I jot down my thoughts in outline form, hoping to get back to "flesh them out" later. This process satisfies the urge to write but rarely (never) produces anything worth sharing.

Indeed, this is less than half the post it was intended to be. But Ada needs water for her paintbrush and lunch isn't putting itself on the table.


Looking back over our Picasa site for the last month, it appears that I haven't just been on a "babymoon." I did have a baby a month ago and he's rather the center of everything right now. (And rightly so!)

But I've also written a bunch of thank you notes, read several books, gone to book club twice, toured a local Frank Lloyd Wright house, assisted in homework-related projects, hosted lots of company, gone to church and related meetings (several), attended a reunion event, put together a Seder and Easter, taken the dog and child to the vet and pediatrician, respectively, and coordinated the first annual Paul invitational marathon and supported my husband's running in general. Not too shabby.

From Ellie's nonfiction writing project "How To Make Cornbread for Chili:"

Permission to Change (Seasons)

My apologies for the erratic weather we've had so far this year. I recently realized that it's all my fault.

See, in December a friend gave me a novel called Snow by Turkish author Orhan Pamuk. As I read it in fits and starts, it took me a really really long time to finish. But I'm finally done! And so now the snow can stop and spring can commence in earnest.

You're welcome.

As for why it took me so long to finish this book, well, that's all me I suppose. I kept flipping back to the front cover to verify that the seal on the front proclaiming, "Winner of the Nobel Prize in Literature!" was still there and not just something I dreamed.

Later, I'd turn the book over and peruse the blurbs again. "One of the best books of the year" according to just about everyone from The New York Times Book Review to The Economist. Rave reviews from truly impressive people.

Repeatedly I read the jacket copy. "Slyly comic." Also, "humor," "wicked grin," etc.

I was excited to read this fabulous book, which came so highly recommended and is set in Turkey. (My in-laws lived in Turkey for years and my husband was actually born there; they returned to the states when his sister was ready for elementary school.)

But I just didn't get it. I didn't engage with the story, I didn't connect with the characters, and I felt frustrated by the pace. (The first day seemed to me like it must have been at least 48 hours long. Is Ka really in his late 30's as it appears? If so, how come the 17+ year age difference between close sisters Ipek and Kadife is never discussed?) I utterly missed the humor.

Obviously, this is all on me since apparently everyone else who's read Snow loved it. But I spent the first 200 pages trying to figure out why the author gave most of the unrelated main characters the same last name (Bey). Then I figured it must be a subtle comment on the provincial nature of Turkish society (the cerebral humor I'd been missing?). By page 300 I'd realized that "Bey" must be a sort of honorific (and it is). Some of my confusion might indeed have been cultural. I certainly feel like an uncultured ignoramus for my utter failure to appreciate this highly acclaimed novel.

But I finished it, and now it's spring!